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Morph

Works by Elliot Ashlock and Sara Caoile

Digital poster for MORPH, an exhibition of works by Elliot Ashlock and Sara Caoile. The background is split between two paintings: a dark blue, densely worked drawing on the left and a warm-toned reclining figure rendered in orange, green, and blue stippling on the right. Cream text over the center reads: MORPH, works by Elliot Ashlock and Sara Caoile, March 19th 5–7PM, March 21st 10–1PM, Gallery 1010, 100 S. Gay Street. A black Gallery 1010 logo sits in the upper right corner.
Installation view of a white gallery wall lit by track lighting, hung with three paintings at receding depth. The largest, at left, is a dense web of purple, red, and orange line work over pale figurative forms. At center, a vertical canvas in gray, black, and yellow shows abstracted facial features and dotted patterning. A small work in blue and green hangs farthest right. Wood parquet floor
Wide installation view of a gallery with exposed ceiling pipes and track lighting above a long white wall. Four works are hung across it: an unstretched canvas with swirling gold, green, and brown marks; a small light-colored painting with red and blue accents; a large canvas of a pale figure in yellow, green, and dark green; and a vertical work in deep blue and gold. At the far right, vinyl wall text reads MORPH with the artists' names, beside a wall label and a white pedestal.
Three paintings on a white gallery wall. At left, a small canvas with a curved brown form and black-and-white stripes on a pale lavender ground. At center, a larger vertical painting in black, cream, pink, and yellow, with a pale winged figure emerging from dripping, gestural marks. At right, a work in muted greens, pinks, and a bright pink field with stippled and striped patterning over a bending figure.
Wide view of the full gallery: two white temporary walls set at an angle beneath an exposed ceiling with ductwork and track lighting. Paintings hang on both walls, the MORPH vinyl title and a white pedestal are visible at center left near a doorway, and a low wooden bench sits in the foreground on the parquet floor
Angled view down a gallery wall. In the foreground, large black vinyl lettering in a wavy 1970s-style typeface reads: MORPH, artworks by Elliot Ashlock, Sara Caoile. Further down the wall are a printed exhibition statement and two paintings, with track lighting overhead and windows at the end of the room

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